Gallery

Presented here are some selected works that showcase the talents of our Guild members.

Click here for members work produced for the Perth Royal Agricultural Society’s Craft Exhibition.

Doug Hughes: Doug hand lettered this piece using a Pointed pen, Gouache and Coloured pencil on Fabriano 500g paper.
Doug’s striking Hand Lettered exercise explores the contrast between bold gothic-blackletter forms and expressive flowing gold lettering. The central lettering is painted dark green gouache, with strong angular forms creating a dramatic focal point. Surrounding it, delicate gold letterforms with flourishes add movement and spontaneity to the composition.

Jeanette Fuller: Fraktur hand, scribed with a 6mm Parallel pen 6.0mm with a Pilot pen ink cartridge Illustration produced using Koh-I-Noor watercolour paint.

Martin Dickie: Two sheets of coloured paper were used, the text is written using blue watercolour, along with red and blue sumi ink, using a speedball B4 pen. The outline is written with black sumi ink using a Mitchell 2 nib.
The meaning of the word Poltroon. It is a noun it means a spiritless, contemptible coward, wretch.
Martin Dickie: This box contains rosettes made from practice work, folded and tied in the centre

LEFT: Sprays over a card cutout made space for a passage from a Manifesto by the Futurist, Marinetti.
CENTRE: Many layers of colour and lettering are overlaid by folded pen lettering of part of a poem by W H Auden
RIGHT: This folded cartridge paper sculpture was cut in block letters with one word in pen lettering. It says Manʼs beauty is in the beauty of his writing
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Sandra Wedding: Sandra used watercolour pigment in a fine coloured powder combined with gum Arabic, written in Italic hand.
In recent years, there has been a resurgence of interest in Baybayin, it is an ancient Filipino script. Used in parts of the Philippines before and during the 16th – 17th centuries. Spanish colonisation led to the adoption of the Latin alphabet which led to the Baybayin’s decline.
Doug Hughes – Hand drawn and then completed using digitising software
Leith Cohoe – Leith produced this piece by alternately dipping the same nib into blue and green Ecoline inks.
Jenny Fowles – Jenny used watercolour for the background foliage and Ecolineink for the text.
Jenny used Ecoline inks to produce the look of watercolour for the background for her Uncial practice piece. This piece also featured on the May issue of Quiilo Talk cover
Leith Cohoe – Moonshadow Mist sprayed as the background with the text written in black ink.
Created by Gaye Godfrey-Nicholls

Martin used the words by Jack London to surround a pattern made with the Japanese Orizomegami technique. Orizomegami is the Japanese art of folding and dyeing paper to create vibrant, repeating patterns.